This stunning bronze group of the Virgin and Child, c.1610-20, sold at Christie’s yesterday for over £480,000. Previously undocumented, it is one of four examples of this composition which are believed to be the work of Antonio Susini (died 1624). Susini is better known as a technical assistant and caster to the great master Giambalogna (1529-1608) than as a sculptor in his own right, and it is fascinating to see here a work that he conceived and executed by himself. Although Susini’s work remained under the influence of his master, even after he left to establish his own workshop in 1600, there is nothing derivative or reductive about his pieces. Indeed, works such as this one prove him to be an accomplished sculptor, deserving of his own recognition. The piece shows great technical ability in the detail of the casting, for example in the finely modelled faces and carefully articulated curls of the Virgin and Child. However, Susini was not merely a talented technician, and details such as the drapery, which moves from the heavy, sweeping folds of the over skirt, to the gently fluttering, delicate material around the Virgin’s feet, suggest a real confidence and mastery of the medium. Particularly charming is the contrast between the monumental solemnity of the Virgin, and the vitality of her son, who seems almost about to wriggle from her arms. Such liveliness emphasises the humanity of the Christ child, an idea also alluded to here by the careful depiction of his fleshy, childish physiognomy.